Secreted away as I am, very near to the heart of downtown Atlanta, I see more than my share of urban wall graphics, some of which I'd label art, but much of it mere garbage, in my humble opinion. The latter has become for me a trigger to the immediate detriment of my serenity. I have an almost visceral reaction when I see the midnight scrawls of whatever street punks put them there, wherein I fantasize fruitlessly about catching the little illegitimates in the act. I often wondered why my own building seemed immune to this defacing, while all those around me were subject to frequent re-painting. The answer became evident when a couple of my neighbors, Stan and Dave, managed to actually track down some of the perpetrators, by way of some clever detective work. Well, maybe it wasn't all that brilliant- the idiots had emblazened said property with "art" that was prominently featured in a nearby "alternative" gallery show, whereby names were named, and one thing led to another. Stan, who is an ex-marine-looking guy, a body builder and wrestler (the Greco-Roman type, as opposed to the psuedo-teevee variety), tells me he approached the author of the violation at the gallery opening, and asked what the guy would charge to put that on his wall. He then casually enquired what would be the cost to remove it. (Oh, to have been a fly on the wall, and witness to much stammering and sweating, I feel sure.)
Talking later with Stan, I discovered a possible reason for my personal apparent reprieve from this urban blight. My previous tenant was a dedicated skateboarder, and it seems that these citified sportsmen are frequently at the forefront of the shenanigans. And as the saying goes, one doesn't s*** where one eats. I normally hesitate to resort to any variety of profiling, but I must say I look at those burghal boarders in a new and less-than-favorable light. Perhaps the majority of them are innocent, but running with the pack is often just as dangerous for the straggler as for the alpha male.
The definition of art is subjective, at best, and I would not want to be the one to draw the line between the sacred and the profane. Living where I do, I can claim to have seen it all. There are elegant examples of urban mural art to be viewed, and then there is the other, e.g. the scrawl I witnessed recently only a block from my residence, in day-glo green: "F*** your wife, defacing s*** is fun!" I mean, really. Fortunately the property owner oversprayed this eloquent message within a few hours, fortunately depriving the gentle diners across the street of such literary wit.
I must admit that back in my younger days, when clambering up a ladder or scaffold was not the torturous affair it sometimes can currently be, I was guilty of accepting money to do some of my own urban mural work. Since that work came to be published in various newspapers and in Sandlapper magazine (a magazine devoted to life and culture in the state of South Carolina), I must assume that my work, done in partnership with my ole pal Sonny, was deemed socially acceptable. Here are a couple of examples, both painted exclusively on flat and featureless walls, at close to full size.
Sonny is currently tracking a couple of new (potential) civic mural projects, so I've got to decide whether I can reclaim my old skills and strengths. In keeping with this blog's theme of creativity and productivity, I hope to be able to do so.
I also would like to display another local example, which comprises both extremes of this type of graphic expression. These photos show adjacent exterior walls belonging to the music studio of my friend Ken, and they are separately adorned with examples of the two opposites. Not to claim to be the arbiter of anyone's taste but my own, I do admire the composition and chiaroscuro (for those not schooled in the lingo of artistic expression, that's shades of black and white) of the left-hand effort.
And of the right-hand scribbles, I am reminded of the quote from my junior-high-school days, regarding fools' names and their faces. Ken's building was at one point graced by a really impressive statement in the finest urban-muralist style, which was commissioned by one of his offspring (I think as a birthday surprise). (It ultimately succumbed to the spray cans of the less culturally enlightened, and had to be painted over.) It proclaimed while it lasted, in magnificent style, "MY DAD ROCKS". And so do, in my sight, such legitimate purveyors of civic artistic expression. Of the others, well, Stan and Dave have filed suit against the ones they know of, who are proving to be a wealth of info about their little s***-head buddies. Plea-bargaining can be a wonderful thing.
For more info about public murals, I can heartily recommend the book Toward a People's Art, which I got shortly after it was published in 1977.
One last example, a couple of blocks from my place, showing both ends of the spectrum. At least in this case, the vandals had the decency not to paint over the wonderful oriental koi mural....... there is always some hope to be found, if you look for it.